Concept

My paintings begin not with answers, but with questions.

I am interested in how painting can move beyond image and become an experience. Rather than describing the world, I seek to create a space where perception itself can unfold. Light, color, silence, and time are not subjects in my work, but conditions through which awareness emerges.

Through layered fields of color, accumulation, erasure, and repetition, I explore painting as a living relationship rather than a fixed object. Color is treated not simply as material, but as a temporal presence—something that drifts, dissolves, returns, and continues to transform through perception.

My practice unfolds through dialogue: between light and darkness, presence and absence, the conscious and the unconscious. I do not seek definitive meanings. The moment a conclusion is fixed, the world becomes smaller. Instead, I am interested in questions that remain open and continue to expand.

Painting is not something to be understood. It is a place to enter.

In that space, light is alive, time breathes in silence, and perception becomes an unfolding experience.

Lineage

My work exists in dialogue with the lineage of modern painting. The exploration of light recalls the atmospheric sensitivity of Claude Monet, while the contemplative depth of color resonates with Mark Rothko.

At the same time, I seek to move beyond these precedents. Influenced by Eastern philosophical thought, particularly the notion of undivided awareness, I attempt to open a perceptual space prior to conceptual division.

Within this space, distinctions between subject and object, interior and exterior, form and emptiness begin to loosen. Painting becomes a quiet investigation into awareness itself.